Thursday, April 19, 2007

The Third Annual Falconhawk All Cock, All Falcon, All Party Falconcock Cocktail Party and Craft Fair Extravaganza

This is my cricket team, Falconhawk:


On Saturday night we had a cocktail party and prize-giving. Here are some pictures of proceedings:

Steve makes making cocktails on a sort-of "feeding-the-5000" scale look fun and easy.


Ozz man, at this stage still in the happy place.


David has a number of sheets to the wind.


If n is the number of sheets to the wind that David has, the number of sheets to the wind that Phil at any one time has can be expressed as n*sqrt(3).


Our gracious host Tobin, and his lovely date -- whose name I have unfortunately forgotten.


Tobin and date.


Date sans Tobin. I gave up trying to take a pic which didn't involve one or both of them looking like retards.


Tobin (at stage-right) tells another "joke".


Wicketkeeper extraordinaire and Falconhawk Man Of The Year, Dan Cumming, likes to whistle when he's drunk.


Dan Cumming also likes the feel of cold hard metal on his *cough* cheeks. At this stage I gave up trying to take a pic of Dan which didn't involve him, also, looking like a retard.


David and Shauna.


Man of the Year. 'Nuff said, innit.


Some formica.


Yes indeed.

Tuesday, April 17, 2007

Mighty Mighty Mighty Mighty Mighty Mighty

Where you will find me on the weekend:


More here on the Wellingtonista.

Saturday, April 14, 2007

Alt.country at the Bathhouse

American alt.country legends Richard Buckner and Edith Frost are playing together at the San Francisco Bathhouse on Wednesday night.

There are three kinds of American folk artist: those who sit, contented, on a back porch contemplating America's landscape and ways; those for whom its landscape and ways are something to stand against or move boldly through; and those whose America is a shadowy, impressionistic place that moves inside of them. This [latter] is the area that the sombre-voiced Richard Buckner has been exploring since 1984 --(Sylvie Simmons; The Guardian, 2004)



Richard Buckner is the true 'American Wanderer'. The American landscape is the backdrop he moves against (literally as well as figuratively; he's been traveling the North American continent for two decades now) and his relationship to it is shifting and ambiguous, a complicated state of existing within and without a country that is impossible to escape from unscathed. He's worked alongside and recorded with Calexico, Giant Sand, Neko Case among many others, and he's been described by Howe Gelb as having "one of the finest voices on the planet".

Edith Frost walks a fine line, musically speaking, between sanity and utter madness. Since the nineties she's been taking the conventions of introspected folk and alt.country and cramming it with such kitsch oddities and childlike arrangements as occur to her along the way. Her voice is the dusty, low pitched croon you might expect of an old-time country heartbreaker, but this is a woman who also digs on Blondie and has no qualms about forcing the glaring city lights of New Wave onto the quiet country and folk roads that underpin her music. Edith featured on the Drag City super session, alongside Bill Callahan, Brendan Murphy, Rian Murphy and Jim O'Rourke.

This is a show not to be missed.

RICHARD BUCKNER, EDITH FROST + GUESTS
WEDNESDAY 18th APRIL
SAN FRANCISCO BATHHOUSE

Tickets are $25 plus booking fee, available from Slow Boat Records in Cuba Street.

Links:
MySpace pages for Richard Buckner and Edith Frost.

Friday, April 13, 2007

I will miss Kurt Vonnegut

He's popped off to the planet Tralfamadore for the last time and I will miss him. Not that I ever knew him personally, dig, but I will feel an absence, a void in the fabric of the universe -- the space which he previously inhabited. Perhaps not so much actually on a personal level, for the resonance of his work lingers on and on and on and on and so on... but more the idea that if the human race could produce such a fine fellow -- as a humanist, the ultimate collision of sadness and magnanimity -- will it ever bother to do so again? Could it, even?

And I think the world will be a poorer place -- and we will probably struggle for some time to examine ourselves as effectively -- without his intelligent, forthright sagacity.


My favourite Kurt Vonnegut moment? Encountering his drawing of an anus while reading his novel Breakfast of Champions for the first time at about age 14. It looked something like this:



Some possible reading:

Custodians of Chaos: an excerpt from his memoirs A Man Without a Country

Kurt Vonnegut's Blues For America

Salon interview and profile from 1999

Wikipedia entry

Thursday, April 12, 2007

Dead C postscript

Here's a montage-img of The Dead C playing at the City Gallery the other week:


You should click on the image for a much closer look.

Wednesday, April 04, 2007

Stumps vs. BBA Dukes and Postures

Post-rock is a done-to-death description but as a semaphore of intent it still serves a certain purpose. First coined by music-journo Simon Reynolds as a term to describe progressive music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures rather than riffs and power chords", it's use was rapidly spread during the 90s by breathless writers suddenly overwhelmed by seemingly-infinite possible music-futures. Reynolds further expounded:

perhaps the really provocative area for future development lies... in cyborg rock; not the wholehearted embrace of Techno's methodology, but some kind of interface between real time, hands-on playing and the use of digital effects and enhancement.

... which in itself has turned out to be suitably ambitious, as in general attempts at an amalgam of real-time instrumentation and digital frippery have turned out to be a big horrible mess (with notable exceptions, of course).

However some have managed to find a kinda cautious way-forward through this experimental minefield, and on Saturday night four progressive musical groups take four individual post-rockin' approaches to deconstructing sound within the codified meta-language of rock music:

...some of Wellington's greatest rock explorers...

The Postures will have you shakin' yer booty and shaking in your boots with their disco/doom rhythms combined with piercing tones and a punk delivery. The Stumps are quite possibly the Grateful Dead for the 21st century... noxious jazz-fusion is administered a good spanking to within an inch of the (current) law. Join The Dukes of Leisure on an idler's stroll through huge spaces of gentle melodies surrounded by walls of violent and engulfing noise. And Black Boned Angel is uber-ambient doom-metal created from massively overdriven instruments... the aural equivalent of a tequila and opiates-bender followed by a five-day crying jag.

SATURDAY APRIL 14th
SAN FRANCISCO BATH-HOUSE
10$

The last Black Boned Angel performance:

Wednesday, March 28, 2007

Wednesday, March 21, 2007

Drinking and eating and rocking and rolling

Over on the Wellingtonista, I wrote about Negroni cocktails, free gigs at the City Gallery, and Aro Community Fair.

Now. On also on this Friday night March 23th, The Stumps are playing at Happy with our friends Zombie Fuck! and Public Toilet Ltd.



There's plenty happening, yes there is...

Thursday, March 15, 2007

Comets on Fire and Birchville Cat Motel

Last night, as mentioned, I went to see Comets on Fire. They ruled. They were really, really great.

Birchville Cat Motel opened, and was fantastic too. People danced, which is not normal. I mean, it's not not-normal to dance, but it is at a BCM show. Here's a bunch of pics. (Click on the images to view a much larger version which opens in another tab/window):



Also, here's a couple of shots of Comets on Fire, taken from behind the soundboard (the sound was much better there):



These are from the end, when Campbell Kneale (BCM) was jamming with them -- you can see him over on the far-left of the stage (our right).

No, you are correct -- there weren't very many people there. This surprised me a lot.

Ginga bullshit

New Zealand popular culture continues its slide into Macca & Ridgie hell...


Friday, March 09, 2007

Pandit Shiv Kumar Sharma: Wed 14th March

I have joined the staff of the Wellingtonista website; fun times beckon. As I mentioned in my introduction, I'm looking forward to the challenge of making much more sense about many things much more of the time.

My first post was about the Pandit Shiv Kumar Sharma gig at St. Mary of the Angels on Wednesday night, 14th March.

Unfortunately I won't be able to make it to the show, because I am going to see Comets on Fire the same night. To be frank, I love that all this fantastic music is coming through Wellington at the moment, but i really, really hate when shows collide like this.

Tuesday, March 06, 2007

Best searches

Best searches bringin' in the punters:

Preteen sex
after work drinks (no. 2!)
Picasso (image search)
skinny dipping (image search, not particularly NSFW)
Bull
cartoon preteen sex
cartoons who fuck
free smoking fetish gay chat rooms
preteen nude sex
a funny thing that happened in new zealand
taggart theme (ol' faithful)
horny girls in fort mcmurray
sifty etymology


NP: Soon Clyde

Monday, March 05, 2007

Thursday night: Noise/drone/rock extravaganza

Black Boned Angel::1/3 Octave Band::The Stumps::Spiers/Weeks Band

8.30 PM, Thursday 8th March, Valve bar and grill, Vivian St. Wgtn NZ...



Friday nite: Motorik ' ' dance party ' '

Party Like It's 1971 presents: Motorik
progressive German music from the 60s, 70s, and 80s... ich bin der Kapitaen und Sie sind meine Weibchen...




This event is part of the Berlin Bonanza at The Mighty Mighty in March.

Friday, March 02, 2007

Holy crap, Comets On Fire are coming to town!

Oh man, this is going to be so fckn sweet. I love this band. If you're not familir with their work, I have in the past ad with some success described them as Cream meets Fushitsusha; that seems to do the trick. Download Punk describes them as "dark and damaged acid rock served in a crude and blown out speedball of Blue Cheer, High Rise, James Williamson, and a shit-faced-drunk Brian Eno-era Roxy Music" and promises "methamphetamine and Schnapps-drenched lullabies takin' it straight into a sonic shit storm, shifting from 4/4 power-rock to imploding free-form".

From the promoter:
"" Ethan Miller and Ben Flashman formed Comets on Fire (wiki) just prior to the turn of the century in the drug-infested hippie town of Santa Cruz, California. Their original intent was to create a rock group free of commercial pretensions or genre trend; one that simply dealt in pure bombast, attack, overwhelming distortion and chaos, and yet possessing a shameless love for anthemic choruses, shattering hooks and riffs, and the smoke and magic of yesteryears' rock and roll iconoclasts. They now number five members, and live and work in San Francisco and Oakland, but have retained their original directive -- harnessing the most crucial elements of freeform classic rock, AM gold, and the never-ending, occasionally psychotropic possibilities of their combined instrumentation. ""

Support from Birchville Cat Motel.

Comets on Fire
San Francisco Bath House
Wednesday 14 March
$30 (+ booking fee) pre-sales from Real Groovy and TicketDirect

Here is the official Comets On Fire site (which unfortunately seems to be down at the moment).