Listen closely now, here he comes...

On paper it has all the likely-hood of a collaboration between Graham Capill, leader of the Christian Heritage political party in New Zealand and self-appointed "one-man megaphone for Christian indignation" for more than a decade, and an eight year-old girl. That is to say, not very likely at all.

But you don't, as they say, win matches on predictions or paper and so here we have David Sylvian, former pin-up boy satin-tonsilled vocalist and front-man for Japan, and maker since of a number of literate, lush, seriously odd solo records (highligts: Brilliant Trees, Secrets of the Beehive, Dead Bees on a Cake); heavyweight Austrian electronica artist Christian Fennesz; and Derek Bailey, irrascibly iconoclastic guitarist and foremost proponent of free-improvisation for nigh-on 40 years. Making a record together.

David Sylvian and Derek Bailey - the Good Son

It's a mash-up of sorts, it's called Blemish, and as allmusic.com says, it's the "sort of record that makes many long-time followers throw up their arms in aggravation - it's very much a 'final straw' record".

Not this listener.

Accompanied in turns by Bailey, Fennesz, or his own laconic guitar, Sylvian croons and whispers his way through eight tracks. By its very nature it is a barren, broke-down affair and it's utterly beautiful; enveloping in its bristly lilting swagger, like a well-read drunken sailer yet to find his land-legs and rolling all over town bellowing out his stark shanties to any who'll listen.

Blemish was released in 2003; there's also a new album out called The Good Son vs. The Only Daughter which is a collection of remixes of Blemish material.